Basic Rock Beat
The default. Kick on 1 and 3, snare on 2 and 4, eighth notes on the hi-hat. If you learn one beat, learn this one.
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An interactive library of 25 classic drum beats across 12 genres. Play any pattern at any tempo, read it as a grid, and download it as MIDI.
25 patterns 12 genres Free MIDI export No signup
Real recorded kits, not synthesised. Loads on first play.
The default. Kick on 1 and 3, snare on 2 and 4, eighth notes on the hi-hat. If you learn one beat, learn this one.
Sixteenths on the hat, accented backbeat, and quiet ghost strokes filling the gaps. The core funk vocabulary.
The classic. Two kicks setting up each backbeat, eighth-note hats, and a snare that lands hard on 2 and 4.
Snare on beat 3 only — the halftime backbeat. Steady eighth hats with a roll into the next bar.
Eight more genres below, each with its own page and additional patterns.
Made with Drumloop AI — describe a beat and hear it in seconds.
Generate drum loops with Drumloop AIThe default. Kick on 1 and 3, snare on 2 and 4, eighth notes on the hi-hat. If you learn one beat, learn this one.
3 patternsSixteenths on the hat, accented backbeat, and quiet ghost strokes filling the gaps. The core funk vocabulary.
2 patternsThe classic. Two kicks setting up each backbeat, eighth-note hats, and a snare that lands hard on 2 and 4.
2 patternsSnare on beat 3 only — the halftime backbeat. Steady eighth hats with a roll into the next bar.
2 patternsFour-on-the-floor kick, offbeat closed hats, clap on 2 and 4. The genre in eight bars.
2 patternsRelentless kick, offbeat open hat, and a rim hit displacing the backbeat. No clap — the groove never resolves.
2 patternsNothing on beat 1. Kick and rim land together on beat 3, leaving the downbeat completely open.
2 patternsThe 3+3+2 snare figure over a steady kick. This one pattern is the genre.
2 patternsThe core jazz time-keeping figure in a triplet grid, with the hi-hat foot on beats 2 and 4.
2 patternsThe five-note pattern that organises Afro-Cuban music. Three hits in the first half, two in the second.
2 patternsSyncopated kick, ghosted snare and a busy hat — the Tony Allen approach of playing several percussion parts at once.
2 patternsSyncopated kick and a snare that moves — the funk-break skeleton behind big beat and hip hop.
2 patternsFour-on-the-floor kick, offbeat closed hats, clap on 2 and 4. The genre in eight bars.
Relentless kick, offbeat open hat, and a rim hit displacing the backbeat. No clap — the groove never resolves.
Nothing on beat 1. Kick and rim land together on beat 3, leaving the downbeat completely open.
The 3+3+2 snare figure over a steady kick. This one pattern is the genre.
The core jazz time-keeping figure in a triplet grid, with the hi-hat foot on beats 2 and 4.
The five-note pattern that organises Afro-Cuban music. Three hits in the first half, two in the second.
Syncopated kick, ghosted snare and a busy hat — the Tony Allen approach of playing several percussion parts at once.
Syncopated kick and a snare that moves — the funk-break skeleton behind big beat and hip hop.
Nearly every pattern in this library is built from three jobs, and understanding the jobs matters more than memorising the patterns. The kick anchors the bar and usually marks the downbeat. The snare answers it, most often on the backbeat. The hi-hat subdivides the space between them and sets the density of the groove.
Change any one of those jobs and you change genre. Move the snare from beats 2 and 4 to beat 3 alone and rock becomes halftime. Put a kick on every beat and it becomes house. Empty beat 1 entirely and it becomes reggae. The vocabulary is small; the grammar does the work.
The fourth element is dynamics, and it is the one most often missed. Ghost notes — snare strokes at a third of the normal volume — are what separate a funk groove from a rock one played with a busy hand. In the grids above they appear as dimmer cells, and they are exported to MIDI at a lower velocity so the feel survives the download.
Finally there is placement. Two drummers playing identical patterns sound different because one sits a few milliseconds behind the beat and the other on top of it. That is not something a grid can show you, which is why the tempo control here matters — play a hip hop pattern at 90 and then at 120 and you will hear the pocket disappear.
Patterns and tempos travel together. Playing a boom bap groove at 130 BPM does not produce fast hip hop, it produces something else entirely. These are the ranges each style actually occupies, with links to the matching metronome and free loop libraries.
| Genre | Range | Typical | Patterns | Loops |
|---|---|---|---|---|
| Hip hop | 80–100 | 90 | Patterns | Loops |
| Boom bap | 85–95 | 90 | — | Loops |
| Trap | 130–150 | 140 | Patterns | Loops |
| Lo-fi | 70–90 | 80 | — | Loops |
| R&B | 60–90 | 75 | — | Loops |
| Reggaeton | 90–100 | 95 | Patterns | Loops |
| Rock | 110–140 | 120 | Patterns | Loops |
| Metal | 140–200 | 160 | — | Loops |
| Funk | 95–115 | 105 | Patterns | Loops |
| Jazz (swing) | 120–200 | 140 | — | Loops |
| House | 120–130 | 125 | Patterns | Loops |
| Techno | 125–150 | 135 | Patterns | — |
| Drum & bass | 160–180 | 174 | — | Loops |
| Dubstep | 138–142 | 140 | — | — |
| Drill | 138–145 | 140 | — | Loops |
| Pop | 100–130 | 120 | — | — |
| Afrobeats | 100–118 | 108 | — | — |
| Ballad | 60–80 | 70 | — | — |
The basic rock beat: kick on beats 1 and 3, snare on 2 and 4, eighth notes on the hi-hat. It underpins an enormous share of popular music and almost every other groove in this library is a variation on it or a deliberate reaction against it.
Each row is one drum and each column is one step in time — usually a sixteenth note, so sixteen columns make one bar. A filled cell means play that drum on that step. The dimmer cells are ghost notes, played much quieter. The numbers along the top mark the main beats.
Yes, every pattern has a MIDI button. The file is built in your browser — nothing is uploaded and there is no signup — and it uses General MIDI percussion mapping, so it lands on the right drums in any DAW or drum plugin. Each download contains two bars at whatever tempo you have set.
The snare accent on beats 2 and 4. Because those are the metrically weak beats, placing the loudest drum there creates the forward-pulling tension that drives rock, funk, soul and pop. Reggae is the notable exception — the one drop deliberately empties beat 1 instead.
These are patterns — the notation and MIDI, showing you what to play. Drum loops are recorded audio you drop into a track. Patterns are for learning and programming; loops are for producing. Both are free here.
Start by moving a single kick, or adding one ghost note, rather than rewriting the whole bar — most real variation in drumming is small. For faster exploration, Drumloop AI generates original variations on a groove from a text description, at any tempo.
Drumloop AI generates original, royalty-free variations on any groove from a plain-English description — at any tempo, in any style.